Standard (EADGBE)
|2 4 2 2 2 2|
(add9) |x 0 2 2 2 0|
or |x 0 2 2 0 0|
(b5)|x x 1 2 2 2|
|x x 0 2 2 2|
|x 2 4 2 4 2|
|0 2 2 1 0 0|
|x 2 4 4 3 2|
/ |x 4 2 2 2 4|
|x 4 6 4 7 4|
|x 4 6 4 6 4|
|2 4 4 2 2 2|
/ |0 4 4 2 2 2|
/ |x x 1 2 0 2|
/ |x x 3 4 2 4|
/|x 4 2 2 0 0|
(9)/|x 2 4 2 2 2|
One of the trickiest fingerings is the B7/D# - C#7/F. I play it using this fingering:
With the B7(9)/F#, you could probably just play a B7/F# and fill in the (9) with other
parts if you like.
-Intro.
-Verse 1
Aishi-teta to nageku ni wa
Amari ni mo toki wa sugi te shimatta
Mada kokoro no hokorobi o
Iyasenumama kaze ga fuiteru
Verse 2
same as v.1)
Hitotsu no me de asu o mite
Hitotsu no me de kinou mitsumeteru
Kimi no ai no yurikagode
Mo ichido yasurakani nemuretara
-Pre-Chorus
Kawaita hitomi de dareka na itekure
-Chorus
The real folk blues
Honto no kanashimi ga shiritaidake
Doro no kawa ni sukatta jinsei mo warukuwanai
Ichido kiri de owarunara
Verse 3
same as v.1)
Kibou ni michita zetsuboto
Wanagashikakerareteru kono chansu
Nani ga yoku te warui no ka
Koin no omoi to kuramitaita
-Pre-chorus 2.
Dore dake ikireba iyasareru no darou
-2nd Chorus
The real folk blues
Honto no yorokobi ga shiritai dake
Hikaru mono no subete ga ougen to wa kagiranai
Chorus
same as first chorus)
The real folk blues
Honto no kanashimi ga shiritaidake
Doro no kawa ni sukatta jinsei mo warukuwanai
Ichido kiri de owarunara
That's all she wrote. Literally.
Thanks!