Capo 4th fret
Standard (EADGBE)
I know I got a bad repu - ta - tion
and it isn't just talk, talk, talk.
If I could only give you every - thing
you know I haven't got...
I couldn't have one conver -sa - tion
if it wasn't for the lies, lies, lies
And still I wanna tell you every - thing
`till I close my eyes. Sudden -ly I'm
on the street, seven years dis - ap -
pear be - low my feet. Been break - in'
down. Do you want me now? Do you want me
now? Sudden - ly I'm down in
Herald Square. Lookin' in the crowd your
face is ever - y - where. Been turn - in'
`round. Do you want me now? Do you want me
now?
(solo)
(solo)
(solo)
(2nd verse:)
Don't try to be an inspiration.
Just waistin' your time, time, time.
You know about the best I'll ever be
I see it in your eyes.
I know I got a bad reputation
and it isn't just talk, talk, talk.
If I could only give you everything
you know I haven't got.
(Refrain:)
Suddenly I'm on the street.
Seven years disappear below my feet.
Been breakin' down.
Do you want me now?
Do you want me now?
Suddenly I'm in another place.
Lookin' in the crowd I think I see your face.
Been turnin' `round.
Do you want me now?
Do you want me now?
(down, down, down)
Do you want me now?
Do you want me now?
(down, down, down)
Do you want me now?
Do you want me now?
Don't you think I've heard the talk?
Nobody's going to tell me who to love.
Been breakin' down.
Do you want me now?
Do you want me now?
Suddenly I'm down in Herald Square.
Lookin' in the crowd your face is everywhere.
Just turnin' `round.
Do you want me now?
Do you want me now?
Been breakin' down.
Do you want me now?
Do you want me now?
I'm just breakin
down, down, down, down.
Been breakin'
down, down, down, down. (Repeats and fades)
Here's cut #2:
(intro)
(1st verse)
In the middle of her con - fes - sion,
he comes over and pulls her hair.
I wake up, she is crying.
I guess he was here a - gain. Evie's
tears are ne - ver gon - na
dry. E - vie's sec - ret
tears burn this bed she
comes to on - ly when its right.
(night? light?)
(2nd verse)
We met in a lonely summer,
two survivors of paradise.
She ran off when I first touched her.
Now she wakes me every night.
(chorus)
Evie's tears are never gonna dry.
Evie's secret tears
burn this bed she comes to only when its right.
(1st bridge)
Faith - less girl, you've been dreamin'.
Star - ing up, your face is white with
fear. O - K, now I'm list - nin'.
(solo for chorus)
Now I'm list - nin'.
(3rd verse)
In the middle of Evie's garden,
in a simple iron chair.
Wind's blowin' and she is singin'.
Begs the moon to disappear.
(chorus)
Evie's tears are never gonna dry.
Evie's guilty tears
burn this bed she comes to only when its right.
Tears. Evie's tears. Evie's tears,
burn this bed she comes to only when its light.
(2nd bridge)
Catholic girl, you've been dreamin'.
Staring up, your face is white with fear.
OK, now I'm listnin'.
You're not mine and he's not here.
Here's cut #3:
(intro)
(one..., two..., three..., four...)
(solo over verse)
(1st verse)
A bare - foot whore
walk - in' by a fa - mous clock.
A - gainst her door,
wait - ing for the chimes to stop.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd glad - ly drown - than
let you leave me lone - ly.
(2nd verse)
She pulled the cord.
On a night like this she never works.
I said no more.
Do I think I'm understood with her?
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown.
I thought you said you were lonely?
(solo over verse)
(3rd verse)
Tell you what,
is a broken promise cheap enough?
It's all I got.
Looks so sad, talks to tough.
(chorus)
Can't sink this town.
Pull the gates and bring it down.
I'd gladly drown
than let you leave me lonely.
I can't sink this town.
Lookin' back across the sea.
I'd gladly drown
I thought you said you were lonely?
I thought you said you were lonely?
I thought you said you were lonely?
(solo over verse)
Here's cut #4:
open
for
open
for
open
for
open
for
for
for
Try these chords (who knows what their -real- names are?):
(intro)
+6
| | 1 - 1 - barre 1 - 1 - 1 1 barre 1 - 1 - 1 1 barre
| | | | | 2 | | | | | | | | | 2 | |
| | | 3 | | | 3 | 4 | | | 3 | | | |
(verses)
| 1 - - - 1 barre | 1 - - - - barre 1 - 1 - 1 1 barre
| | | | 2 | | | | | | 2 | | | 2 | |
| | 3 4 | | | | | 3 | | | 3 | | | |
| | | | 4 |
(intro arpeggio)
+6
+6
(1st verse)
You ought to see your face.
You ought to hear your voice.
Last time I was here I
would - n't turn a - round.
You ought to lock that door.
Some - body might get in.
Didn't I teach you tha -
- - t? This per -fect world.
So blue I Can't be - gin to
say. This per -fect world.
I know I ne - ver should have
gone a - wa - y.
But I still de - serve to
say good - bye no matt - er what I've
do - - - ne. No
matt - er what I've
done.
+6
(2nd verse)
I see her in your face.
I hear her in your voice.
Last time I was here they'd found her in the lake.
You ought to see my scars.
You think I'm made of stone.
+4
Didn't you tell me that--?
(chorus)
This perfect world. So blue I can't begin to say.
This perfect world. They say that soon I will be gone away.
+6
+4
But I still deserve to say goodbye no matter what I've done.
This perfect world.
This perfect world.
Now I've come around it's far too late.
And these pills won't even let me cry.
No one knows you even when your gone.
+6
+4
But I still deserve to say goodbye no matter what I've done - -.
No matter what I've done.
(3rd verse)
You ought to see your face.
You ought to hear your voice.
+4
Lock this after me - - -.
Sorry, I didn't have the patience to figure out the chords he's using
in this song, so I'll post the unadorned lyrics instead, and hope that
someone a little more talented can match up the right chords.
(intro)
(1st verse)
When I woke up, I was already evicted.
And when you say lie, do you think I believe anything?
(chorus)
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
(2nd verse)
When you walked up, I was lookin' at the wrong ___.
And now I'm locked out, I will be back in familiar spots.
(chorus)
Cold again, cold again, back alone before the end.
Cold again, cold again, do you really think I'd turn you in?
Cold again, cold again, walkin' over Brooklyn Bridge.
Cold again, cold again, hey Miss Liberty where have you been?
Keywords:
Here's cut #6:
The "C+" chord below (I don't know what the proper name is) is an open C
chord with G on the top and an added A. This is how I finger it:
| | | 2 | |
| 3 | | | 4
I dunno, sounds pretty close to me. Corrections always welcome.
(intro)
(1st verse)
Lovers cry, one last
kiss by the edge then hand in hand.
Two lovers stop their hearts,
Bet - ter than to be a - part.
They had
run from her father to the high - est bri - dge.
Hold - ing to- gether as they jumped i - n.
(2nd verse)
Lovers fly on the hill where they once lay side by side.
Two lovers stop their hearts, better than to be apart.
(solo, follows intro chords)
She was rich, he was common, but she wouldn't say no.
Lying together on the rocks below.
They had run from her father to the highest bridge.
Holding together as they jumped in.
(3rd verse)
Lovers cry. One last kiss by the edge, then hand in hand.
Two lovers stop their hearts, better than to be apart.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Lovers cry. Lovers cry. Lovers cry.
Here's cut #7:
(intro)
(1st verse)
Though you've gone a - wa - - y,
I play your favo - rite songs.
In the blue and go - - ld,
with your dark glass - es on.
(chorus)
I al - ways think I see you
a - cross the a - ven - ue.
Walk - in' by where I lost you.
It's all I e - ver do.
(2nd verse)
You just walked a - wa - - y.
"We'll meet to - night." "O - K."
Go - in' a - gainst the li - - ght.
Run down in front of me.
I al - ways think I see you
a - cross the a - ven - ue.
Some day I'll come to meet you
on the o - ther side. A -
cross the A - ven - ue.
cross the A - ven - ue.
(solo)
(3rd verse)
Though you've gone away, I wear your favorite shirt.
Sitting in the sun, by the library lion.
(chorus)
I always think I see you across the avenue.
Someday I'll come to meet you on the other side.
Across the avenue.
Across the avenue.
Across the avenue.
Across the avenue.
(repeates and fades)
Here's cut #8:
red suit - case she'll ne - ver miss,
lea - ther coat he used to wear.
Think-in' tough, look-in' tired, with
momm - a's money and dadd - y's ring. He's
Go - ne like the wa - ter down to
N - Y - C.
Sleep-in' on the Eight-O - Two a -
long this river runn-in' down. He's
Go - ne like the wa - ter down the
de - pot drai - - n.
Dis - a - pear - in' in the city.
(2nd verse)
Twenty-four and goin' pale. Growin' out, cuttin' back.
Drew a face on a ticket stub with momma's hands and daddy's pen.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
(solo on verse & chorus)
(3rd verse)
Talk all night, cook all day. Lookin' for a new place to stay.
Thinkin' hard, lookin' bad, with momma's dollar in daddy's coat.
(chorus)
He's gone like the water down to NYC.
Sleepin' on the Eight-O-Two along this river runnin' down.
He's gone like the water down the depot drain.
Dissappearing in the city.
Here's cut #9:
As best I can tell, this tune is really played a half step lower than
I've tabbed it here, that is, in Gb (F#?) rather than G. Adjust
accordingly, if so inclined.
(intro)
De -
(1st verse)
lores was her middle name. She'd
read the book & every - thing.
Now I know how old I am.
Have you ever seen that film?
Talkin' to a ho - tel mirror with my glasses
off.
Now you know just what he's cryin' about.
(2nd verse)
Delores was her middle name.
Dangling from a silver chain.
Where'd you learn to talk that way?
I look like James Mason's ghost.
Talking to a friend after school but you don't see
that she's really lookin' right at me. Yeah, yeah, yeah.
(solo on verse)
(3rd verse)
Delores was her middle name.
And now her mother's wonderin',
"If I could see my wrinkled face."
Paint her lovely toenails red.
Writin' all my problems in a secret little book.
Now I know just what he should have done.
Talkin' to me like I'm just a little late.
Now you know just what he's talkin' about--.
(solo)
Delores was her middle name.
Delores was her middle name. Yeah, yeah, yeah.
Here's cut #10:
Try fingerpicking these chord shapes for the intro and verse:
(intro)
open
| | | | 1-1 barre | | | 1---1-| barre
| | | 2 | | | | | | 2 |
| | 3 | | | | | 3 | | |
(intro)
(1st verse)
In the mid - dle of
E - vie' - s gar - den
was a rock she could
ne - ver move.
Worn a - way by a
faith - ful ha - nd 'till
no - one knows the
date.
(chorus)
Bring back the
rain, we'll go
walkin'. Mmm - mmm - -
mmm -- .
Bring back the
wind like you
do. Mmm - mmm - -
mmm -- .
(2nd verse)
Of the flowers in Evie's garden
one would never go out of bloom.
Planted over a well, forgotten.
Opened by the moon.
(chorus)
Bring back the rain we'll go walkin' Mmm mmm mmm.
Bring back the wind like you do. Mmm mmm mmm.
Bring back the rain to Evie's garden. Mmm mmm mmm.
I'm at the gate looking through.
(3rd verse)
In the middle of Evie's garden
was a rock she could never move.
Nearly buried in a night bloom angle.
Pale and smooth as skin.
Here's cut #11:
(intro)
(1st verse)
Did you take your mother's name so
you could sleep more eas - i - ly?
She took you back too late and
now you ne - ver e - ven call.
Did you take that mon - ey drawer while
she was praying?
They said you dis - ap - peared
just like wa - ter down a drain.
(chorus)
Why'd you call me?
Must be bad.
Dis - ap - point - ed
man. Where've you been?
Hide your - self so
well in this city.
Dis - ap - point - ed
man.
(2nd verse)
Did you sell your father's ring so you could stay one more night?
It shone like his glass eye in the worn, velvet case.
Did you fill this hired room with guilty words?
Your white piano hands flutter like poisoned birds.
(chorus)
Why'd you call me? Must be bad.
Disappointed man where've you been?
Hide yourself so well in this city.
Disappointed man where've you been?
Disappointed man where've you been?
Disappointed man.
Here's cut #12:
(intro)
(1st verse)
You can really fall, wake
up in a ruined house,
wrapped up in a torn - down curtain.
when I get to Hell will the
love - ly girls come down to the
banks of that red red river?
(chorus)
I can hear the laughs when they
find I've fall - en down a - gain.
I can hear the laughs and it
hurts so bad I have to smi - le.
(2nd verse)
You can take a lot.
Put back not a thing.
Still come home lookin' thinner.
And when I get to Oz,
will the lovely witch come down
and kiss my pale, bleeding brow?
(chorus)
I can hear the laughs when they
find I've fallen down again.
I can hear the laughs and it
hurts so bad I have to smile.
(chords repeat and fade out)