Capo 2nd fret

Standard (EADGBE)

Intro

x2 (single strum)

x2

I'm here sitting in the wreck of Europe

 With a map of Europe

Spread out in a hall of Versailles

And every single nationality and principality

have come for a piece of the pie

I'm sitting in the wreck of Europe

 With a map of Europe

 And the lines and the borders are gone

We've got to do this jigsaw puzzle

 It's an awful muddle

 But somehow we've got to go on

 **Lawrence of Arabia is waiting in the wings

 He's got some Arab sheikhs and kings

 And we're in debt to them somehow

Lawrence of Arabia has got this perfect vision

 Gonna sell him down the river

 There's no time for him now

I think I'm gonna take a piece of Russia

 And a Piece of Germany

 And give them to Poland again

I'll put together Yugoslavia and Czechoslovakia

 And hope that is how they'll remain

Then I'll take a bit of Turkey

 Then a lot of Turkey

 This is all quite a heady affair

There's Persia and Iraq to pick up

 And there's Churchill's hiccup

 And we can't leave it up in the air

Woodrow Wilson waves his fourteen points around

 And says "The time to act is now

 Won't get this opportunity again"

Woodrow Wilson has his fourteen points

 But Clemenceau turns to Lloyd George

And says "You know that

 God himself had only ten"

Today I'm carried by a league of notions

 By a league of notions

I don't think I quite understand

I only know from this commotion

There's a chance that we could turn

The world in the palm of our hands

Voices in the corridors of power

 Candles burning hour by hour

 Still you know that to the victors go the spoils

Such a great responsibility to make it fair

 And there must be some reparations now

And don't forget the oil

Today I'm carried by a league of notions

 By a league of notions

I don't think I quite understand

I only know from this commotion

There's a chance that we could turn

The world in the palm of our hands

Pax vobiscum

Wo-Oh, Pax vobiscum

 (End on )

**The strumming pattern changes here. Pluck quarter notes on the bass line and single,

percussive strums after each plucked note. Go back to regular strumming at the end of

the phrase (after the Fm, for the C G C)